Were Ancient Readers Interested in Detecting Forgeries?
I continue now with my lecture this past week on whether ancient readers and writers considered pseudepigraphic writing – in which an author claimed to be someone else (always someone famous) – was seen as deceitful, a kind of literary lie, and is therefore appropriately, in an ancient context, appropriately considered by thos of us today, “forgery.” This is Part 2 of 4. ******************************************************** I do not need to give an extensive account of all the instances of ancient Echtheitskritik (= scholarly attempt to determine if a work is authentic) found throughout the surviving literature: full accounts are readily available in any of the lengthy monographs. To be sure, some recent scholars have claimed it was a rare discourse. But maybe abundance, like beauty, is in the eye of the beholder. I myself have always been struck by how extensive the discourse of authenticity is, going back in some sense to Herodotus and becoming a focus of interest for some authors, especially critics and biographers such as (the Roman medical writer of the second century) [...]